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Showing posts with label Comics. Show all posts
Showing posts with label Comics. Show all posts

Wednesday, January 16, 2013

Kinky Comics?


Superman in Bondage: The Kinkiest Kryptonian Comics Covers Ever Published!  Charlie Jane Ander sourced io9Superman in Bondage: The Kinkiest Kryptonian Comics Covers Ever Published!


Everybody thinks of Wonder Woman as the main bondage-oriented superhero. There are whole websites dedicated to collecting Diana's ropiest moments. But her teammate in the Justice League, Superman, can give her a run for her money in the "bondage hero" sweepstakes.


Wednesday, July 4, 2012

Spider man



10 Memorable Occasions Spider-Man Acted Like A Nutjob


10 Memorable Occasions Spider-Man Acted Like A Nutjob by  Cyriaque Lamar


Spider-Man's probably the most anxiety-prone superhero out there, so it's no surprise he's embarked on some endeavors that left readers questioning his emotional well-being. Here are ten times the hero's adventures (and mental health) flew off the rails in wonderfully weird ways.

10. Spider-Man records an album of Elton Johnesque pop music


If you thought Spider-Man: Turn Off The Dark was Spider-Man's musical pinnacle, then you've never heard this Marvel-sanctioned, 1975 rock opera dedicated to the hero.


10 Memorable Occasions Spider-Man Acted Like A Nutjob

The album artwork was also a thing of great beauty. Who knew Thor loved jazz? You can listen to most of this album here.

Of course, I still prefer the 1979 German disco track "Spiderman" sung by a fellow who had the retroactive misfortune of being named Peter Griffin.


9. Spider-Man gets a Spider-Buggy
For an extremely brief period in his history, Spider-Man experimented with his own carthat was gifted to him by an auto company. To the superhero's credit, he was incredibly dubious of this "Spider-Mobile" in the first place. On the other hand, he did have the poor taste to ride it around town.

10 Memorable Occasions Spider-Man Acted Like A Nutjob8. Spider-Man gets caught up in some metaphysical pablum, evolves gross webshooters
Several years ago, Marvel Comics attempted to give Spider-Man organic web-shooters like the ones he wielded in Sam Raimi's cinematic trilogy. To do so, the publisher forced him into hippity-dippity, mystical circumstances — too complex to elaborate here — in which he evolved these new, synergistic features. And here you thought this superhero was grounded in that staple of hard science fiction, the radioactive spider bite.









7. Spider-Man murders people in Turkey
In the bootleg Turkish crime drama 3 Dev Adam, Spider-Man is a eyebrow-sporting crime lord who executes his enemies with hungry rats and boat propellers who dukes it out with his arch-nemesis Captain America. You may think it's not canon, but Marvel hasn't issued any statements recently noting otherwise. For another time Spider-Man went bonkers overseas, see the time he killed a WWF wrestler with Superman and Batman in India.


10 Memorable Occasions Spider-Man Acted Like A Nutjob6. Spider-Man yells about his radioactive sperm
In 2007's dystopian, Dark Knight Returns-style miniseries Spider-Man: Reign, we learn that Mary Jane has died because Peter's radioactive Spider-sperm gave her cancer. During a certain jaw-dropping juncture of this alternate reality tale, Peter screams at Mary Jane's corpse (which has been disinterred by Doctor Octopus) about how is love gun shot to kill. Why he's never used this superpower against his foes since then is beyond me.


10 Memorable Occasions Spider-Man Acted Like A Nutjob5. Spider-Man gets rid of an all-powerful magical artifact by tossing it in the ocean
During the 1980s, Marvel Comics superheroes crossed over with characters from Robert E. Howard's Hyborian Age. This resulted in such edifying storylines as Conan the Barbarian moonlighting as a pimp and Spider-Man teaming up with Red Sonja to defeat the warlock Kulan Gath. After trapping the wizard in an amulet, Spidey tosses him off the coast of Staten Island andpromptly forgets about him...




Until a fisherman discovers the necklace and frees Kulan Gath. The wizard transformsalmost everyone in Manhattan into barbarians. Except for Spider-Man, of course. Kulan Gath tortures the living crap out of him.
4. Spider-Man meets his god, Stan Lee
In the final episode of the 1990s Spider-Mancartoon, a trans-dimensional militia of Spider-Men must prevent Carnage from ending all reality. After defeating the villain, Spidey is whisked away to our reality, where he learns that he's actually the mental fabrication of an excelsior universal clockmaker, Stan "The Man" Lee. (I'm assuming Spider-Man co-creator Steve Ditko hung up the phone on this.) Upon communing with his mustachioed godhead, Spider-Man is not distraught over the realization that he's fictional, a corporate icon, or that he could've been named "Greg Gunderson, the Arachnid Ace" if Stan was feeling a twinge more alliterative in 1962. No, his self-esteem is through the roof! Poor guy's in shock.


3. Spider-Man becomes possessed by an evil alien, learns to jazz dance
Many readers consider this sequence the nadir of the Sam Raimi Spider-Man film trilogy. I sort of love the implications of this moment when you spell it out in plain language. That is, "An alien symbiote crash-lands on Earth and uses its malevolent power to cloud Peter Parker's mind. It also imparts a penchant for swing dancing." Did aliens teach humans to swing dance, like some Lindy-Hopping Engineers from Prometheus? That would explain the late 1990s rather easily.



2. Spider-Man Mad Libs

As if having professional comic book writers foist indignity upon indignity upon Peter Parker was bad enough, these fantastic 1981 Spider-Man Mad Libs (courtesy of Mark Anderson) allowed laymen like you and me to blindly dictate the terms of Peter Parker's mopey existence. Look what I just did to Spider-Man's laundry. How deliciously absurd!

1. Spidey Super Stories
This series of comic books was written as a spin-off of the webslinger's appearances onThe Electric Company in the 1970s. Because these tales were written for a younger audience, Spider-Man's adventures were told at an elementary-school reading level, which grammatically streamlined reality in myriad, hilarious ways. For example, see Doctor Doom's plot to take over the world with a magic trumpet, Spider-Man's misadventures with cycling...










...his calculated abuse of seafood merchants...




















...the wall-crawler's musings on paleontology...
10 Memorable Occasions Spider-Man Acted Like A Nutjob...or this incredible sequence, in which Spider-Man, Marvel Boy, and Moon Dragon concoct a plan to destroy Doctor Doom's personal Death Star.
10 Memorable Occasions Spider-Man Acted Like A Nutjob
For more Spider-Strangeness, see these erotic moments in his storied history, the time the Green Goblin knocked up Peter's girlfriend(among many things), and the following ten public service announcements, the most notable of which revealed that Spider-Man was inappropriately touched by an older boy. And for Spider-Man at his coolest, see the soundtrack to the 1960s cartoon show.






10 Memorable Occasions Spider-Man Acted Like A NutjobBONUS: Spider-Man's tighty-whitey 
nightmares about Kraven The Hunter. [via]













10 Memorable Occasions Spider-Man Acted Like A Nutjob




































Tuesday, June 19, 2012

News on Comic



When I read "prostitute-warrior" I thought of Frank Millar and Zack Snyder's "empowered" women, but then I read that the author actually had some life experience with these women. I assume he has some actual insights into them as human beings. Still, if a woman became a warrior and revolutionary, would she still be a prostitute? I assume "the Spartacus of Whores" means she's fighting to free herself and all prostitutes.     

News on Comic

Rage Against the Machine guitarist Tom Morello gives us the scoop on Orchid, his dystopian science fiction comic



Rage Against the Machine guitarist Tom Morello gives us the scoop on Orchid, his dystopian science fiction comic BY CYRIAQUE LAMAR


Tom Morello has famously lent his axe-slinging skills to such acts as Rage Against the Machine, Audioslave, and his one-man band The Nightwatchman.
But for his Dark Horse Comics series Orchid, Morello has traded pyrotechnics on a Fender Bassman for a simple pen. The guitarist told io9 his plans for this post-apocalyptic rebellion tale, which sees a prostitute-warrior named Orchid rising up against the mutants and dictatorial rule of the warlord Tomo Wolfe.
Where do readers find Orchid in the upcoming issues?
The story from the first issue builds small. The idea was to take it to a very humble place, that is a common teenage prostitute scrambling for a living. She begins to discovers the limits of the society has imposed upon her.
The tattoo on her collarbone says "Property" and the brand on her arm says "Know Your Role." You might mistake these for being the same thing, but they end up being very, very different. She discovers that her role is one far greater than the one she was born into.
As far as where we are in issue #9, there's a major development in issue #8 that sets the tone for the story. Tomo Wolfe's forces have decided to exterminate the Bridge People. The mysterious masked man has eluded his possession and that throws him into a paranoid rage. This haunts his reign, so he believes it's going to be a cakewalk to eliminate them.
How are you finding the monthly schedule of penning comics?
My esteemed editor Sierra Hahn is constantly cracking the whip for [series artist] Scott Hepburn and I to make deadlines. I love writing Orchid — it's a passion project of mine, and it provides an intellectual outlet as well. For me, it's about exploring a completely different art form. In my rock life, stuff gets done when it gets done. I like the work ethic that Orchidimposes on me. And when we're done talking, I'll march up to my studio to polish the ninth and tenth issues! I immersed myself in comics as a teenager, and it's a welcome return. The fans have been great.
What sort of real-world events and political movements inspired the story ofOrchid?
My favorite fictional characters have their grounding in some historical or fictional precedent. In Orchid, it's the naming of places — the town of Gath is named after the birthplace of Goliath. Fortress Panuel is named after the Biblical spot where Jacob wrestled the angel.
The character Orchid is a composite of some of the drug addicts and prostitutes I met when I first moved to Los Angeles. I felt a lot of personal and professional rejection from the Sunset Strip heavy metal scene. It was only when I became friends with fans off the beaten track that I met this fascinating group of people. I shared my stigma with them and was surprised by their intellect, caring, and kindness. These women were both damaged and beautiful, so there's a lot of personal history there.
As for a character like Tomo Wolfe, he's a composite of Nietzsche, Goebbels, and George W. Bush. [Laughs] With regards to the politics, the four revolutionary characters — Orchid, Simon, Opal, and Anzio — have their roots in real history.
Anzio represents the liberation theologist, someone who has a strong faith and belief in helping the poor and oppressed, but is willing to pick up a sword to do it. Opal is the prototypical idealist freedom fighter. Simon is weak in military background but provides the ideological underpinnings. He's like a Lenin or Trotsky meets C-3PO. Orchid — the Spartacus of Whores — has the drive and bent that you might refer to more as a terrorist than a freedom fighter. It'll be interesting to see how her anger fuels her desire to fight back.
You've been recording a soundtrack to accompany the comic. What sort of musical cues are informing these songs?
I wanted to be able to create a beautiful, desolate soundscape for this. Two of the inspirations were Peter Gabriel's Passion from The Last Temptation of Christ and Ashes and Snow, a beautiful art show I attended several years ago that combined music and photography. That got me thinking that mediums other than film could have a soundtrack.
Orchid #8 hits stands June 27; Orchid #9 hits stores September 12. The first volume of the collected Orchid hits stands July 11; Tom will be on deck that evening at the San Diego Comic-Con for a Q&A and signing. Interior artwork in this article by Scott Hepburn; covers by Massimo Carnevale.